"There’s no denying that the Soska Sisters and the relative success of American Mary became quite the focal point for clashing opinions (clashes I very purposefully stayed far away from at the time). While for some, the Soskas were and are horror’s brightest new stars, for many others their self-promotion and public personas were entirely objectionable. It seems to me that their success is not that much different from, say, the success of Adam Green with Hatchet, and his own public persona and interaction with fans. Yet – and by all means, I’m open to be corrected on this – I don’t remember the same backlash to his popularity. I’m by no means going to sit here and type under some self-illusion that I’m an unbiased commentator; however, given the ultimately niche nature of the kind of films we’re discussing here, what filmmaker wouldn’t shout as loudly as they could about a film that breaks out of that niche, even if only slightly? With American Mary’s relative success, the Soskas became figureheads for both sides of the debate. As a result, for me, many of the cracks in the naysayers’ side of the debate started to show more clearly. That prominent bloggers can argue that women filmmakers who ‘dress sexily’ and complain about not being treated equally are asking for such treatment speaks volumes of their lack of understanding of most of the issues that still need addressing in the debate."
Read the whole rad piece here.