Friday, August 02, 2013

Beautiful American Mary Tattoo Work


Absolutely stunningly beautiful tattoo of Tristan Risk's Beatress Johnson on the very rad Giuseppe Marchio, inked by Mr. Wes Pratt. My brain exploded when I just saw this. Speechless.



Robby Hanner's Mary gets a touch up making her bloody Mary.


-Sylv

Dead Hooker On Your TV



DEAD HOOKER IN A TRUNK is airing on The Horror Channel on the 6th August. Tune in for merry dead whore hijinx!
-Sylv

We've Got Mail!



We've got mail. Like serious fucking mail. Thank you to everyone who has sent Jen and me your DEAD HOOKER IN A TRUNK and/or American Mary sleeves to get signed.

Didn't get it signed yet? Send it to Twisted Twins Productions, #911 1641 Lonsdale Ave, North Vancouver, BC, V7M 2J5, Canada within the next two weeks and we pay the shipping back. Send it after and please include return postage, but rest assured every slip cover at any time comes back with some goodies.

-Sylv

LIVE Skype Date from Winnipeg with Love


What up, WINNIPEG??????

What're you doing tonight? Coming to Winnipeg Film Group's Cinematheque for #AmericanMary, right?

Tonight, at 9pm, followed by a LIVE SKYPE DATE Q and A with me and Sylvia Soska!! BE THERE!!!!

Thursday, August 01, 2013

Entrevista: Jen e Sylvia Soska, as irmãs Diretoras de Filmes Macabros



"Diretoras já são poucas. Diretoras de filmes terror são ainda mais raras. E irmãs gêmeas diretoras de filme de terror? Em uma cena onde o machismo ainda é muito presente, as diretoras e roteiristas canadenses Jen e Sylvia Soska entraram com tudo. O longa de estréia Dead Hooker in a Trunk fez sucesso na cena de terror independente e abriu as portas para que as irmãs trouxessem uma visão única e moderna com sua segunda fita, American Mary.

Nesta entrevista à colaboradora Luciana dos Anjos, Jen e Sylvia discutem sua abordagem para produções, detalham suas influências e dão algumas dicas para cineastas iniciantes. Quais diretores tem a maior influência sobre vocês, considerando o estilo e aspectos estéticos da direção? 
Sylvia: Nós não estaríamos fazendo filmes se não fossemos extremamente influenciadas por Robert Rodriguez. Lars Von Trier está entre meus diretores favoritos, eu adoro a abordagem artística e macabra de sua narração. Mas existem outros cineastas cujo trabalho me influenciou, como Cronenberg, Lynch, Narron, Roth, Baker, Miike, Craven, Argento, Eisener – provavelmente está faltando alguns grandes. Gosto de diretores que fazem belos filmes com uma filosofia.  
Jen: Para Dead Hooker In a Trunk foi muito do Robert Rodriguez. Ele é a razão pela qual nós – e muitas outras pessoas – decidiram pegar uma câmera a principio. O “Ten Minutes Film School” e o livro “Rebel Without a Crew” inspiraram uma legião de cineastas. Joss Whedon é uma grande inspiração pra mim também. Tanto a narrativa quanto os personagens são cuidadosamente pensados e executados."  

Read the whole interview here.

-Sylv

American Mary Plays in Winnipeg with a Skype Q & A with the Twisted Twins this Friday


"Seen as a pair of twisted twins in their horror movie American Mary, Jen and Sylvia Soska are an unnervingly creepy duo.  
But behind the camera, as the directors and writers of the film, they are utter charmers, at least according to actress Katherine Isabelle, who was easily enchanted into playing the titular blood-drenched, scalpel-wielding anti-heroine by the 30-year-old sisters.  
"When I first met them, we were supposed to meet for sushi at a normal dinner time around 6 o'clock, and we ended up going out till, like 4 in the morning, having a total blast," Isabelle says. "We were, like, instantly best friends. "They are so fascinating to be around, to watch their brains work," she says.  
"You fall in love with them instantly and they inspire passion in everyone else. We all really, really wanted to make them happy." It's fair to say making movies make the Soska sisters very happy indeed. The Vancouver-spawned siblings first exploded on the scene in 2011 with a lurid $2,500 dark comedy titled Dead Hooker in a Trunk.  
From there, they looked to Hollywood to solidify a career, but the experience of taking meetings with creepy Hollywood power players left an imprint on their second film, American Mary, in which Isabelle's medical student is abused by the "respectable" medical establishment and takes refuge in the underground world of body modification."  

Read the whole piece here.

-Sylv

MTV Geek Talks to Mary



MTV Geek: What attracted you to the role? What made you want to be Mary? 

Katharine Isabelle: I was sent the script and was given a just a very brief—like oh, it’s from identical twin sister writer-director horror filmmakers--I ended up reading the whole script, the whole 180 pages, on my Blackberry twice. I immediately got sucked in. Being Mary is a very unique character especially, you know, in film and as a female. You don’t often see women in film portrayed the way that Mary is. She has some redeemable qualities, like she’s not ever really nice to everybody, but you still really like her. You know, I think she smiled once. [Laughs]. She’s not the typical charming, sweet character—she’s dark, she’s weird, she’s funny. I don’t think they try at any point in the movie to force you to like her—you either do or you don’t. Without her having to be all sunshine-y and that was something that I found intriguing because as a woman, and a woman in film, there’s often a few stereotypes that you can fit into. To have a character that’s that unique and also with the script itself being so original and well-written and of course once I met the girls, we became instant best friends. So there’s no way I couldn’t [Laughs].

Geek: That’s kind of an interesting element to Mary. She’s in this weird place between being an exploitation character and also a victimized character, but she’s neither of those things really. She seems to own her experience pretty early on. What did you think about that? Just that ambiguity to her that’s not neither here nor there. She’s not out for revenge exactly, she’s not out for… 

Isabelle: Well exactly, she’s pissed that she allowed herself to be, sort of and somewhat, victimized. That’s why it’s hard to describe the movie in general. It’s being marketed simply as the horror movie, and I’m like “Well it’s not really a horror movie. There’s no scary scenes.” There’s nothing really all that gory and there are some horrific elements definitely to it—but it’s the same thing with Mary. It’s hard to describe her as as a revenge character, or the movie a revenge story or any of those things—and that’s what I think is really intriguing. She doesn’t easily fit into a box. It’s rare to find characters like that these days in film. So I mean obviously it was something that I was thrilled to find [Laughs].

Read the whole interview here.

-Sylv